First published: https://www.ambientlightblog.com/plum-green-sound-recordings/ When I first reviewed folk-goth siren Plum Green back in 2012 I may have been a bit harsh. I compared her performance on her debut to Rushes to Evanescence’s Amy Lee, noting that this was a singer in search of her voice. With this new collection, I
Originally published: https://www.ambientlightblog.com/j-mascis-elastic-days/ Swapping power chords for fingerpicking and acoustic guitars, Dinosaur Jnr’s frontman J Mascis showcases a very different musical side, with a more gentle contemplative approach that’s streets away from the brash indie rock we’re used to from him. On his third solo album, the alt-pop slacker specialist seeks
First published at: https://grooveradio.blogspot.com/2018/10/live-review-rhian-sheehan-quiet-divide.html I will confess up front that I’ve always been a champion of Sheehan’s work. That goes back to the time he gave me a copy of his first album, Paradigm Shift, which he made in his little dingy Newtown flat on a computer and guitars. I was
Originally published at: https://radio13.co.nz/articles/pacific-heights-a-lost-light/ Solo, Devon Abrams has never been one to bring the noise. At least not with the urgent energy that defined his previous gig with beloved d’n’b heroes Shapeshifter. On his last album, The Stillness, he concentrated on delivering music that was tense and atmospheric. This time, inspired by a disturbing
What do you get if you mix the sound of downbeat producers Air with the creepy vibes of David Lynch, the sultry vocals of Melanie Pain and then force it all through a psychedelic lemon squeezer? Well, this, I imagine. Actually, French musician Melody Prochet is none of the above
freshthinking 