Interview with the band My Baby

https://www.ambientlightblog.com/womad-2019-interviews-my-baby/ Tim Gruar continues his series about artists coming to Womad in March, this time talking to Dutch/Kiwi three piece My Baby – a group that defies the usual trappings of the music industry machinery, preferring to tour, record and produce entirely under their own steam. Nailing down their sound

Plum Green – Sound Recordings

First published: https://www.ambientlightblog.com/plum-green-sound-recordings/ When I first reviewed folk-goth siren Plum Green back in 2012 I may have been a bit harsh. I compared her performance on her debut to Rushes to Evanescence’s Amy Lee, noting that this was a singer in search of her voice. With this new collection, I

J Mascis – Elastic Days

Originally published: https://www.ambientlightblog.com/j-mascis-elastic-days/ Swapping power chords for fingerpicking and acoustic guitars, Dinosaur Jnr’s frontman J Mascis showcases a very different musical side, with a more gentle contemplative approach that’s streets away from the brash indie rock we’re used to from him. On his third solo album,  the alt-pop slacker specialist seeks

Live Review: Rhian Sheehan – A Quiet Divide – Wellington (Michael Fowler Centre) October 12 2018

First published at: https://grooveradio.blogspot.com/2018/10/live-review-rhian-sheehan-quiet-divide.html I will confess up front that I’ve always been a champion of Sheehan’s work.  That goes back to the time he gave me a copy of his first album, Paradigm Shift, which he made in his little dingy Newtown flat on a computer and guitars.  I was

Pacific Heights – Self titled (Warners)

Originally published at: https://radio13.co.nz/articles/pacific-heights-a-lost-light/ Solo, Devon Abrams has never been one to bring the noise.  At least not with the urgent energy that defined his previous gig with beloved d’n’b heroes Shapeshifter. On his last album, The Stillness, he concentrated on delivering music that was tense and atmospheric.  This time, inspired by a disturbing

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